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Jolly LLB 3 Review: Akshay Kumar vs. Arshad Warsi – A Winning Courtroom Clash of Two Jollys

Jolly LLB 3 Review: Akshay Kumar vs. Arshad Warsi – A Winning Courtroom Clash of Two Jollys

Subhash Kapoor's 'Jolly LLB 3' presents a unique blend of courtroom drama and comedy to the audience. This time, the biggest attraction is the confrontation between two Jollys. Akshay Kumar's Jolly Mishra and Arshad Warsi's Jolly Tyagi clash in the same courtroom.

  • Movie Review: Jolly LLB 3
  • Cast: Akshay Kumar, Arshad Warsi, Saurabh Shukla, Amrita Rao, Huma Qureshi, Gajraj Rao, Seema Biswas, and Ram Kapoor
  • Writer: Subhash Kapoor
  • Director: Subhash Kapoor
  • Producers: Alok Jain and Ajit Andhare
  • Release: September 19, 2025
  • Rating: 3.5/5

Entertainment News: Director Subhash Kapoor has further strengthened his popular courtroom franchise with 'Jolly LLB 3'. This time, the biggest attraction is the face-off between the two Jollys. In the film, Akshay Kumar portrays Jolly Mishra and Arshad Warsi plays Jolly Tyagi, who confront each other in the same courtroom. The result is a blend of humor, satire, emotion, and social messaging that keeps the audience engaged throughout the movie.

Arshad and Akshay's Return Together

In the first 'Jolly LLB' released in 2013, Arshad Warsi brilliantly portrayed the lawyer Jolly, winning immense popularity with the audience. In 2017's 'Jolly LLB 2', Akshay Kumar took his place. At that time, Arshad had clarified that producers wanted a bigger star. Now, 'Jolly LLB 3' offers the chance to see both actors together, which has not only put old controversies behind but has also proven to be the film's biggest strength.

The Film's Story

The film's story revolves around a farmer's family. A farmer tries to save his land but commits suicide due to dominant forces and corrupt politicians. His widow, Seema Biswas, approaches the court seeking justice. In the courtroom, Jolly Mishra (Akshay Kumar) and Jolly Tyagi (Arshad Warsi) initially face each other representing opposing sides. However, they later have to work together, making the arguments even more engaging.

The main message of the story is – 'Jai Jawan, Jai Kisan' (Hail the Soldier, Hail the Farmer), which underscores the importance of farmers and soldiers. The film effectively blends humor and satire with farmers' issues.

Acting

Regarding acting, Akshay Kumar appears with energy and confidence as Jolly Mishra. Arshad Warsi is, as always, effortless and natural. Seema Biswas brings emotional depth to the role of the farmer's widow, and her performance becomes the heart of the film. Saurabh Shukla, as Judge Tripathi, provides both balance and entertainment in the courtroom. Ram Kapoor, in the role of the lawyer, shows strength in every scene, and his presence sharpens the arguments.

Gajraj Rao is the film's biggest surprise package in the role of the corrupt businessman. His facial expressions and dialogue delivery are memorable for the audience. Shilpa Shukla also leaves an impression in a small but effective role. However, Amrita Rao and Huma Qureshi are included merely for their names; their characters lack depth and contribute little to the story.

Direction

Director Subhash Kapoor has tightly presented the courtroom drama with satire and humor. He maintained the synergy between Akshay and Arshad and sensitively incorporated farmers' issues. The camera work and dialogues make the audience feel part of the courtroom. However, excessive melodrama in emotional parts and weak music are the film's weaknesses. Nevertheless, the director succeeds in combining social message and entertainment.

Some scenes are over-dramatic, making it difficult to believe their realism. The roles of the female characters are weak, and the film's music also fails to meet expectations.

Should You Watch It?

'Jolly LLB 3' is a blend of both entertainment and social messaging. The clash between Akshay and Arshad, Seema Biswas's emotional performance, Ram Kapoor's b advocacy, and Gajraj Rao's powerful portrayal of the corrupt businessman – all make the film worth watching.

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